Saturday, March 14, 2026
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Champions For 2022 Honored By National Barrel Horse Association Kansas District 5

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Frank J Buchman
Frank Buchman

The speediest barrel chasers in central Kansas have been honored.
Highpoint winners in the National Barrel Horse Association (NBHA) Kansas District 5 for 2022 were announced at Clay Center.
Recipients were named and presented awards by district director Kris Hanson, Manhattan, highlighting the yearend banquet. Regina Wilson, Wamego, has assisted with the district barrel races throughout the year and helped with bestowing recognition tokens.
Lori Lockhart of Ramona was honored with a Helping Hand blanket for hard work in NBHA Kansas District 5 activities. She also was presented with an engraved NBHA trophy buckle as the senior highpoint barrel racing contestant for the year.
Taking home the most awards during the program was Madilyn Burt of Salina. She was the highpoint buckle winner in both the Youth Teen 2D and the Youth Teen 3D divisions while placing fifth in the Youth Teen 1D division.
District director Kris Hanson won the Open 1D division for the year followed by Bayleigh Schneider, Culver; Haddie Matzke, Wheaton; and Carrie Stansaas, Concordia.
Champion in Open 2D was Taylor Gustafson, Junction City, with Hanson second, Ava Crist of Abilene, third, and Schneider, fourth.
Sherry Johnson, Enterprise, was highpoint in Open 3D, while Frank Buchman, Alta Vista, was second, Ava Widman of Manhattan, third, and Schneider, fourth.
Buchman won the Open 4D followed by Gustafson, Jaycee Aikman of Salina, and Mackenzie Racette of Junction City.
Emma Adams, Tescott, was champion in Open 5D while Ava Crist, Abilene, was second, Barb Ensign of Abilene, third, and Sarah Irvine of Enterprise, fourth.
Kaitlyn Watkins, Salina, won Youth Teen 1D with Schneider second, Allison Adams of Tescott, third, and Gustafson, fourth.
Placing second through fourth in order behind Burt in Youth Teen 2D were Allison Adams of Tescott, Crist, and Schneider.
Youth Tee 3D placings following Burt were Schneider, Adams, and Crist.
Atly Johnson, Dwight, won the youth 12 and under 1D highpoint award with Racette in second.
Following Lockhart in the senior division placings were Buchman, Gretchen Spitz of Jewell, and Yvonne Brunner of Ramona.
Information about the NBHA Kansas District 5 races for 2023 are available on Facebook.
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CUTLINE

Kris Hanson, Manhattan, director of the National Barrel Horse Association Kansas District 5, presented yearend awards with assistance from Regina Wilson, Wamego, left.

A One Man Steer

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lee pitts

The first animal I ever owned all by myself, or in this case owned me, was the meanest show steer in existence. I named him Abe, in honor of my idol Abraham Lincoln and I want to take this opportunity to apologize to our 16th President for desecrating his name in such a manner.

Abe was an Angus steer my teacher picked out for me and I learned my lesson right there to never let another person buy livestock for me and in 40 years of trading cattle I never did.

I don’t want any Angus breeders getting mad at me for implying that Angus have a disposition problem but ancient Angus breeders will admit that Angus cattle 50 years ago could run a little ‘hot’. If there are any Angus breeders who question my loyalty to the breed may I remind them that every one of my show steers were Angus and the first breeding cattle I ever bought were four purebred Angus heifers and an Angus bull. This comprised my show string that I paraded all over by the time I was 17.

Not only was Abe a bad actor he was also a chronic bloater which meant I spent hours walking him until he released all the greenhouse gases bottled up inside him. And believe me, Abe had a carbon footprint bigger than Al Gore. Speaking of footprints, Abe was the best kicker I’ve ever come in contact with.

To get ready for the fair we had a practice show at the ball field and my teacher held a safety rope around Abe’s neck just in case I couldn’t control him. To no one’s surprise Abe got away from me and drug my teacher around the bases before someone’s father saved my teacher’s life by cutting my brand new neck rope. But this only raised a far bigger problem: how were we going to catch Abe before he scaled the fence to terrorize and torment the town? I had several rodeo contractors bidding for Abe’s services and Abe would have made me filthy rich if he’d have been left intact.

You can imagine how surprised everyone was when Abe and I won the county fair showmanship contest but by then Abe had taken pity on me and stood as still and straight as a West Point plebe. And I swear I didn’t use any pharmaceuticals to subdue him. I didn’t even know such things existed but still that was the rumor around the barns. How else could I explain the magical metamorphosis?

Winning beef showmanship meant I qualified to compete in the round robin where the winners of the sheep, swine, beef and dairy contests had to show each others animal. You can imagine the fear that swept over the fairgrounds. I could certainly see it in the eyes of the tiny gal who’d won hog showmanship when we exchanged a lead strap for a cane. The problem for the others was that Abe was a one-man steer and everyone knew it. In anticipation fair officials relocated the ambulance from the rodeo grounds to the showmanship arena and calf ropers had their ropes at the ready.

The casualties that day included a sheep showman who got PTSD, the aforementioned hog showman who became a vegetarian for life, and a dairy showman with chronic foot problems after Abe had walked all over his feet. (Actually Abe may have saved that guy’s life because he didn’t pass the physical to go to the Vietnam Meat Grinder due to the flat feet Abe gave him.)

The ultimate disgrace occurred when all the winners took a turn around the rodeo arena at the big Saturday night rodeo, which was meant to be a big honor, but by this time fair officials had seen enough of Abe and they were worried Abe would get loose and menace the midway. So Abe was left tied up in his stall and what should have been my most memorable moment turned into my worst nightmare because I had to ride on a flatbed trailer with the fair queen and her court. And to top it off I had to wear white show pants!

In summation, I lost $13 dollars for countless hours of surviving Abe, cried the night before they hauled him away and couldn’t wait to buy my next steer.

 

Modern-Day Horsemanship To Feature Bridle-Less Riding And Liberty Training At EquiFest Of Kansas

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“Liberty training is designed to bring the horse a sense of freedom and safety without using any tack, halters or ropes.”
Patrick Sullivan, Collinsville, Texas, will be in a return engagement discussing advantages of liberty training horses during EquiFest of Kansas.
“Working with a horse in this way will increase the horse’s desire to interact with the handler,” Sullivan explained. “Liberty training a horse will create a deeper bond and a more dependable performance under saddle.”
Sullivan’s presentations at last year’s EquiFest attracted spectator raves creating their desire “to learn more.” So, he’s returning to the Saline County Livestock Expo Center and Tony’s Pizza Events Center at Salina, March 16-19.
“It’ll be a really fun time,” Sullivan promised. “I’ll have three separate one-hour clinics during EquiFest this year.”
They’ll include a bridle-less riding demonstration, advanced liberty training, and problem solving especially with herd-bound horses.
Growing up in Dallas, Texas, Sullivan was heavily involved playing soccer successfully through college and professional ranks. He became a high school and college soccer coach before “finding horses” in 2015.
“I became intrigued by horses,” he admitted. “I began to pay attention and listen. There are infinite ways to develop a bond, trust, and a strong, safe, relationship with our horse partners.”
Through several top horsemen, Sullivan developed his own personal skills leading to major horse starting-training competition titles.
Likely, Sullivan is best recognized for riding a horse 2,500 miles from California to Kentucky completely bridle-less in 2021.
“During the trip, we stopped at 17 different non-profits, raised $50,000 for them, and helped rehome 15 horses,” Sullivan said. “We are now working on a book dedicated to those who ‘dare to dream.’ It will be all about the trip including documentary footage we captured during our six-month adventure.”
Ample credit is given to his mount who made the ride possible. “There has been no better teacher for this journey than my black Egyptian Arabian mare Gamilah MJA who I call Gami,” Sullivan said. “She has been pushing me beyond my own established comfort zones since the day we began our partnership.
“Nothing seemed to quite get through to her. She still didn’t trust me. She was the reason I dug deeper, looking for other ways I could establish a true connection with her.”
Liberty was that key. “It opened the door for the friendship that we share, and a tool to dig deep within myself,” Sullivan said. “To become intentional with what I believe in my personal values, and who I strive to be for others.
“My love and passion for people and coaching expanded my love and deep respect for natural horsemanship,” the clinician continued.
Through his Modern-Day Horsemanship, Sullivan has a full schedule nationwide presenting clients and demonstrations.
Gamilah Unbridled was started as a non-profit service. “We help provide liberty horsemanship education to underprivileged youth and rescue horses,” Sullivan said. “Each year Gamilah Unbridled takes on a different project to help others and promote the power of liberty.”
Connection between the horse and the handler is the basic principle of liberty, Sullivan insisted. Any age horse can be trained to work at liberty starting out when turned loose in a pen.
“It might take five minutes or even an hour to get that eye-to-eye connection,” he explained. The larger the pen typically the longer period it will require.
The best time” to start working a horse at liberty is when they are a yearling. “However, liberty is a foundation for every level of horsemanship,” Sullivan said. “Even the best trained horses in whatever discipline will benefit from liberty training,”
Different sources have varied definitions of liberty horses. Circus and rodeo acts are advertised as liberty horses or sometimes high school trained horses. They often will bow, lay down, even rear on command.
“That is fun and entertaining, and we can typically train a horse to do those things,” Sullivan said. “However, our liberty training is more about connection between the horse and handler working together.
“I unquestionably believe that horses help us to reach a deeper connection with ourselves,” Sullivan said. “Their connection to others is horses’ gift to this world. Change is hard at first, messy in the middle, and gorgeous at the end.”
Additional information about Sullivan’s program is available at www.moderndayhorsemanship.com.
Schedule for Sullivan’s presentation as well as other details concerning EquiFest can be found at www.equifestofks.com.

CUTLINES

Liberty training horses will highlight Patrick Sullivan’s demonstrations at the EquiFest of Kansas in Salina, March 16-19.

Patrick Sullivan rode his black Egyptian Arabian mare Gamilah 2,500 miles from California to Kentucky completely bridle-less in 2021.

“None of us, including me, ever do great things. But we can all do small things, with great love, and together we can do something wonderful.” Patrick Sullivan works with horses and people of all ages through his Modern-Day Horsemanship demonstrations.

Community Bible Study

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Thursday Marth 30th 6:30-8:30 PM, 9 week Bible Study, Our study material will be “Overcommer” by Dr. David Jeremiah and led by Pastor John DiZazzo. Space is limited. Call or text 316-409-2712 to register. Study materials available for purchase. 3307 Switzer Rd, Yoder, KS. A Ministry of Bethany Revival Center

KU News: KU students to present at Kansas Undergraduate Research Day at the Capitol

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From the Office of Public Affairs | http://www.news.ku.edu

Headlines

KU students to present at Kansas Undergraduate Research Day at the Capitol
LAWRENCE — Undergraduate researchers from the University of Kansas will join their peers from other Kansas Board of Regents public four-year universities to present their projects March 1 as part of Kansas Undergraduate Research Day at the Capitol. The presenters include students from Mission, Mulvane, Overland Park and Topeka.

Chamber opera musicians explore autism in new work
LAWRENCE – The partnership between University of Kansas School of Music faculty member Roberta Gumbel and New York-based composer Susan Kander continues to blossom. The latest evidence of that will be the first workshop production of their new chamber opera, “Carry My Own Suitcase,” March 3-4 in the Robert Baustian Theatre in Murphy Hall.

Full stories below.

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Contact: Matt Downen, Center for Undergraduate Research, [email protected], @ugresearchKU
KU students to present at Kansas Undergraduate Research Day at the Capitol
LAWRENCE — Undergraduate researchers from the University of Kansas Lawrence and Medical Center campuses will present their research projects March 1 as part of Kansas Undergraduate Research Day at the Capitol.
KU undergraduate students will join their peers from other Kansas Board of Regents (KBOR) public four-year universities in virtual poster presentations to other students, faculty, KBOR members, state lawmakers and members of the public from across the state of Kansas. The event is intended to raise awareness of the research being conducted by undergraduate students at state universities.
Presentations can be viewed online through March 8.
The presenters are listed below by name, year of study, major, mentor, and title of research project:
From KU Lawrence
1. Albert Park, a junior in molecular, cellular & developmental biology from Overland Park mentored by Heng Du, “Analysis of OSCP Degradation in Alzheimer’s Disease.”
2. Alexander Erwin, a senior in economics from Overland Park mentored by Franek Hasiuk, “Enhanced Oil Recovery in Kansas: A Continuous Time Model.”
3. Navya Singh, a junior in biochemistry from Chandigarh, India, mentored by Laird Forrest, “Synthesis of a Hyaluronic Acid-Deferoxamine Conjugate for Local Treatment of Bone Regeneration.”
4. Tessie May, a junior in chemical engineering mentored by Mark Shiflett, “Project EARTH (Environmentally Applied Research Toward Hydrofluorocarbons): Mixed Matrix Membrane.”
5. Vivian Marshall, a senior in biology from Topeka mentored by Raymond Pierotti, “The Responses of Two Budgerigars to Music and Bird Calls.”

From KU Medical Center
1. Camille Henderson, a senior in nursing from Mission mentored by Kristi Williams, “Elderspeak Within Family Caregiving: The Impact of Relationship and Gender on Elderspeak Use with Dementia Care Recipients.”
2. Hanna Mouak, a senior in nursing from Mulvane mentored by Barb Polivka, “COVID-19 and Adults with Asthma.”
3. Mallory Peterman, a senior in nursing from Overland Park mentored by Laura Klenke-Borgmann, “The Long-term Transferability of Learning via In-class Simulations to Nursing Practice: A Qualitative Descriptive Study.”
4. Sophia Schneller, a senior in nursing from Overland Park mentored by Becky Christian, “Case Study: An Adolescent with Cystic Fibrosis: Gaining Independence.”
5. Shy’Anna Tyler, a senior in nursing from Topeka mentored by Karen Weis, “Racial and Ethnic Differences for Pregnancy Anxiety and Depressive Symptoms to Birth Outcomes.”

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Contact: Rick Hellman, KU News Service, 785-864-8852, [email protected], @RickHellman
Chamber opera musicians explore autism in new work
LAWRENCE – The partnership between University of Kansas School of Music faculty member Roberta Gumbel and New York-based composer Susan Kander continues to blossom. The latest evidence of that will be the first workshop production of their new chamber opera, “Carry My Own Suitcase,” March 3-4 in the Baustian Theatre in Murphy Hall.
It is the story of Roger, an autistic young man, and his family, including Billy, Roger’s older brother/guardian, and how each of them struggles for independence.
Gumbel, associate professor of voice & opera, first worked with Kander as librettist on another chamber opera piece, “dwb (driving while black),” which was also workshopped at KU in 2018. It will soon have its fourth and fifth productions in opera companies across the country, Gumbel said.
With this new opera, Gumbel and Kander shared the lyric-writing duties, while Kander again composed the music. And this time, it’s a much bigger production, Gumbel said.
“’Dwb’ was 45 minutes and one person to move around,” Gumbel said. “This is seven people to move around, plus an orchestra of 11 people. Plus, it’s 95 minutes — double the length of ‘dwb.’ It’s really a full-length opera but done without intermission. It’s a big piece, very different.”
“Carry My Own Suitcase” features a dancer who acts out the inner mental and emotional life of the main character, Roger, onstage while an actor speaks the character’s lines in time to the music.
“The young man portraying Roger does not sing through the entire piece,” Gumbel said. “His text is scored in the music, but it’s all spoken. So he’s speaking in rhythm, on musical cues, but he doesn’t sing a note. … The dancer is a visual expression of what he cannot express verbally.”
While “dwb” had its roots in Kander wanting to explore Gumbel’s concern for her soon-to-drive teenage son, “Suitcase” is Kander’s fictional response to the real-life situation of an extended family member, Gumbel said.
“She and I get along so well,” Gumbel said, “and Susan said, ‘I really want to continue this partnership.’ So when this piece became sort of the next topic, we just jumped in.”
Gumbel said that during COVID-19 lockdowns in 2020, “We tried to have weekly Zoom sessions and wrote via a Google doc that was going back and forth. She’d send it in different colors, and I’d correct in other colors, and then we’d meet on Mondays at whatever time and pull it apart and put it back together until it all sort of started to make sense.”
Gumbel said Kander then “has to write the music in a way that she feels fits the story.
“There’s a parallel story going on, and that is that the older brother would also like some independence, and his world is limited, or he thinks it’s limited, by his responsibility to Roger,” Gumbel said. “He too, would like to just pack a bag and disappear sometimes.”
It’s a story to which Gumbel said the authors have tried to provide “a hopeful ending.”
Gumbel said she is anxious to see the show on its feet and that the duo would likely make revisions in response to the initial production. The local costs of the workshop are being funded in part by a National Endowment of the Arts grant to Gumbel, while Kander’s work on the project is being funded by an Opera America discovery grant devoted to the development of new works by women.

“Carry My Own Suitcase” will be staged at 7:30 p.m. March 3 and 3 p.m. March 4. Admission is free, but seating is limited, and thus reservations are strongly encouraged. To reserve seats, email [email protected] or call 785-864-3436.

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Erinn Barcomb-Peterson, director of news and media relations, [email protected]

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